On this week's episode of All Songs Considered, co-host Bob Boilen basks in the glory of his return by making fellow co-host Robin Hilton enjoy the musings of a box that when opened plays affirming statements with Bob's name that was gifted to him by a secret admirer.
In commemoration of the 50th Anniversary of the August 28th, 1963 March On Washington For Jobs And Freedom, K.C. Jones and Jack Marchanks will broadcast My People, Duke Ellington's civil rights-themed musical, on Jazz Sunday, August 25, 2013. As some of you might already know, Ellington performed the work as part of the Century of Negro Progress Exposition held in Chicago from August 16th to September 2nd, 1963, which in itself was a celebration of the 100th year anniversary of the Emancipation Proclamation.
"I think he was looking for good musicians, and he knew quite a few. He sees the heart of a person."
That's how Cynthia Robinson, founding member of Sly & The Family Stone, characterizes the charismatic frontman's choice of backing players. The band, which pioneered a blend of funk, soul, jazz and pop, began in 1960s San Francisco as a kind of blended family: black and white, men and women.
All Songs Considered co-host Robin Hilton has been feeling a little dazed and confused lately, so host Bob Boilen gives him a "sonic hug" with a new song from the Austin, Texas rock band The Octopus Project. Robin follows with a surprising cut from the first new Nine Inch Nails album in five years. NPR's Sami Yenigun brings a healthy dose of dance beats from Seven Davis Jr.
John Darnielle was a little lonely when he wrote the songs on All Hail West Texas, the 2002 album that became a highlight of his music career. His band, The Mountain Goats, is a trio now, but back then it was a one-man show. Darnielle would come home from the long, dragging hours of his healthcare job, alone in his house while his wife was away at hockey camp. He'd sit down on his couch with his guitar, cobble together some words and music, and hit record on his Panasonic boombox.
Originally published on Wed August 14, 2013 8:03 am
Woody Shaw, who made his first recordings 50 years ago this summer, might be the jazz trumpet's least appreciated giant. Not among musicians, mind you; they recognize his genius whether they're horn players or not. Yet even hardcore fans often know Shaw's name more than his music.