Sakar Khan with his kamancha in his home in Hamira, Jaisalmer, Rajasthan. He's passed his favorite kamancha — the one he got from his father — to his son, Darra. But this one plays just fine, if he's the guy playing it.
The number of major record labels is down to three. But that's not necessarily a bad thing when it comes to promoting music that's out of the mainstream. A label called Amarrass Records, founded in the Indian state of Rajasthan, is dedicated to exposing and preserving indigenous folk music before it disappears.
It's never been easy to make a living as a musician. But there was always a dream: to become a star on the strength of your talent and your music. The Internet is a rude sandman, however, and today that dream is a lot more convoluted.
No longer can a would-be rock star follow the once-accepted checklist: (1) sign with a big label, (2) get a hit, (3) buy mansions and cars. The number of ways a musician can make money is now varied. The question, for many musicians still trying to make a go of it in the industry, is whether those many sources can add up to something sustainable.
Originally published on Mon March 26, 2012 4:32 pm
With simple melodies and sardonic lyrics, Archie Powell and the Exports' new album, Great Ideas in Action, may well be the soundtrack to this summer. The group released its first EP (Loose Change) in 2009, and its debut album, Skip Work, followed a year later. Skip Work was praised for its addictive hooks, lyrical wit and sophistication. Buried beneath catchy, raucous rock 'n' roll, the album's emotional content reflected the nervous energy and anxiety that the band members say they felt graduating college.
In 1968, Hugh Masekela was not quite 30 years old and though he was in exile from his homeland of South Africa, he seemed ready to become at home on the American jazz and pop markets. That summer, he had scored a number one single, "Grazing in the Grass." A year earlier, he'd been one of the few international performers at the 1967 Monterrey International Pop Festival and had appeared in its D.A. Pennebaker documentary. Yet strangely enough, over the next 45 years Masekela never quite found his sweet spot.
I love nature because of the beautiful colors. I love nature because nature is pink. I like the colors because of the green in the trees. The colors are lovely just the way they are.
I love nature because of the beautiful sounds. I love nature because the sounds are so funny. I just think to myself, ”they’re magnificent.” The birds chirp and sing ’cause that’s the way they are.
I feel the grass when I go hiking. I feel the bugs when they bite me. And the flowers they are colorful. And the berries are juicy just the way they are. The colors are lovely just the way they are. The birds chirp and sing ’cause they way they are. The berries are juicy just they way they are.
Polica's sound is crisp, minimalist and mesmerizing. Singer Channy Leaneagh plays her voice like an instrument, using AutoTune both in the studio and at live shows to manipulate her vocals. Against the sliding violins, saxophone solos, relaxed bass and dueling drums of Polica, it's hard to believe that before this, Leaneagh sang folk music for six years in her previous band, Roma di Luna.