Elizabeth Blair

Elizabeth Blair is a Peabody Award winning, Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

The new head of the Smithsonian Institution was announced Monday. David Skorton will leave his job as president of Cornell University to become the institution's 13th secretary since its founding in 1846.

Skorton becomes the first physician to lead the Smithsonian. He's a board-certified cardiologist and amateur jazz musician. Most importantly for the Smithsonian, he's a skilled fundraiser. Skorton led a team that raised $5 billion during his eight years at Cornell.

Researcher danah boyd is obsessed with how teenagers use the Internet. For the legions of adults who are worried about them, that's a good thing.

With a Ph.D from the University of California, Berkeley, and a masters from MIT, and as a senior researcher with Microsoft, boyd is something of a star in the world of social media. For her new book It's Complicated, she spent about eight years studying teenagers and how they interact online. She says she wrote the book in part to help parents, educators and journalists relax. "The kids are all right," she says.



The Lego Movie opened last night in theaters across the country. It's latest example of the magic of animation, filmmakers who bring plastic to life, make animals talk and send toys singing and dancing across a big screen. But animators also love to hurl our most beloved characters over cliffs. They blow them up with dynamite, flatten them with speeding trains. Seconds later, they pop back up and dust themselves off.

Actor Philip Seymour Hoffman was found dead on Sunday in his Manhattan apartment. He was 46.

Hoffman was steeped in his profession — in film, on stage, in the spotlight and behind the scenes.

In 2005, he won the Oscar for best actor for his portrayal of Truman Capote. The movie focuses on Capote's interviews with two murderers on death row for his nonfiction novel In Cold Blood.

Super Bowl suspense is building — for the game and the commercials. With an audience of over 100 million people, advertisers covet this space, but at a reported $4 million a spot, only the mightiest corporations can afford Super Bowl exposure. This year, though, there's an exception. One lucky little business will get one of those primo slots — free.

Can wealthy art lovers help save Detroit's pension funds — and one of its museums?

When the Whitney Museum of American Art announced the artists for its 2014 biennial, people took to the Internet to chime in about who's been included and who's been left out; the last biennial had been blasted for ignoring Latino artists. But when a new show opened at the Smithsonian American Art Museum featuring only Latino artists — "Our America: The Latino Presence in American Art" — it was blasted for other reasons.

There's one area of the economy that's growing faster than business or government.

According to the Urban Institute, in the 10 years between 2001 and 2011, the number of nonprofits increased 25 percent. But most of them aren't very good at measuring their effectiveness — at least, that's the conclusion of the nonprofit watchdog Charity Navigator, which rates thousands of nonprofits to help donors make decisions on their giving.

Federal bureaucracies aren't the only ones scaling back operations during the government shutdown. It's also meant that kids couldn't take field trips to the Smithsonian.

In fact most of the popular Washington attractions funded by the government are closed. That includes the Smithsonian's 19 museums and the National Zoo, plus Ford's Theatre and the National Gallery of Art.



I don't know about you, but I'm a little troubled when I hear about people who watch multiple screens. You know what I'm talking about. Maybe you're watching a movie at home while live tweeting, or while keeping track at a ballgame. At least movie theaters are a sacred space, immune to these changes.

One of the surprise movie hits this past weekend was almost entirely in Spanish. Instructions Not Included made an enormous amount of money per screen, more than $22,000, playing in fewer than 350 theaters. The boys in One Direction had the number one film, but they pulled in less than $6000 per screen. That's a huge victory for star Eugenio Derbez, a household name in Mexico, and for Pantelion films, which has been trying to find a Spanish-language hit in the U.S. film market for a few years now.

Hari Kondabolu is a brainy comedian who cuts through the polite talk around race and gender. He's made a lot of key people laugh with his incisive anecdotes, including Jimmy Kimmel, Conan O'Brien and John Oliver.

A full-time writer on the FX show Totally Biased with W. Kamau Bell, he recently did a comedy bit on the National Spelling Bee, or "as I like to call it," he joked, "the Indian Super Bowl."

Anyone who worked closely with Pete Seeger knew the legendary folk singer's wife. For seven decades, Toshi Seeger organized his festivals and handled his travel and correspondence. The social activist died Tuesday. She was 91.

When it comes to diversity, children's books are sorely lacking; instead of presenting a representative range of faces, they're overwhelmingly white. How bad is the disconnect?

Parents steer their kids to media for all kinds of things: as a distraction so they can make dinner, to teach letters and numbers, and for pure entertainment. There are also times when parents rely on books, TV, museums and other media when they aren't quite sure how to approach a difficult topic by themselves.

Call it the Smithsonian's bubble problem. One of the Smithsonian museums — the Hirshhorn museum for contemporary art — came up with an ambitious new design to add more space: Why not build a giant, inflatable structure that would be big enough for people to walk around in?

But some of the Smithsonian's trustees in Washington, D.C., haven't been blown away by the bubble.

It's Cinderella plus Jackie Robinson times two. When Venus and Serena Williams burst onto the lily-white world of tennis, they changed the game and made history: They were sisters. From a poor neighborhood. Who brought unprecedented power to the game. And both reached No. 1.

Their journey is the subject of a new documentary called Venus and Serena, showing in select theaters around the country.

This is the third in a three-part series about the intersection of education and the arts.

Life Pieces to Masterpieces is an arts program that's not entirely about the art. It's an after-school program based in a struggling neighborhood in Washington, D.C., that teaches black boys and young men what they call "the four C's": "Connect, create, contribute, celebrate." From ages 3-25, they learn to express themselves by conceiving their paintings together. And those paintings will often reflect what's going on in their lives.

This is the second in a three-part series about the intersection of education and the arts.

Let's start with a question from a standardized test: "How would the world be different if we all had a third eye in the back of our heads?"

It's not a typical standardized question, but as part of the Next Generation Creativity Survey, it's used to help measure creativity a bit like an IQ test measures intelligence. And it's not the only creativity test out there.

How we end up in life has a lot to do with where we came from. That theory gets a good workout in the play Good People, from Pulitzer Prize-winner David Lindsay-Abaire. When the show was on Broadway two years ago, the trade magazine Variety proclaimed that "If Good People isn't a hit, there is no justice in the land."

As it turns out, justice has been served: Good People is the most produced play in America this theatrical season. By the end of this summer, it will have been on stage in 17 different cities.