Linda Holmes

Linda Holmes writes and edits NPR's entertainment and pop-culture blog, Monkey See. She has several elaborate theories involving pop culture and monkeys, all of which are available on request.

Holmes began her professional life as an attorney. In time, however, her affection for writing, popular culture and the online universe eclipsed her legal ambitions. She shoved her law degree in the back of the closet, gave its living-room space to DVD sets of The Wire and never looked back.

Holmes was a writer and editor at Television Without Pity, where she recapped several hundred hours of programming — including both High School Musical movies, for which she did not receive hazard pay. Since 2003, she has been a contributor to, where she has written about books, movies, television and pop-culture miscellany.

Holmes' work has also appeared on Vulture (New York magazine's entertainment blog), in TV Guide and in many, many legal documents.

It only stands to reason that the most surprising Oscars might be followed by the least surprising Oscars.

The first season of the FX comedy Atlanta didn't just introduce its characters through a series of memorable vignettes about relationships, music, weed and money. It gradually broke down expectations until it could do almost anything. It could cast a black actor to play Justin Bieber without elaborating. It could turn itself into a half-hour send-up of a low-budget cable talk show. It stretched the boundaries in which it existed, and in the second season, it feels more settled — and not in a bad way.

It's been entirely too long since we got to spend time with Audie Cornish, one of the hosts of All Things Considered and one of our favorite people. It's also been a busy time of Oscar preparation and midseason premieres. So what better way to spend a very silly chunk of studio time than with a return to one of our favorite segments?

It's no exaggeration to say the new NBC series Good Girls has one of the most promising casts a network show has sported in a while. It has Retta, one of the indispensable members of the Parks and Recreation ensemble. It has Mae Whitman, who's been a terrific actress since she was tiny. It has Christina Hendricks, who gave such depth to Joan Holloway Harris on Mad Men. It even has Zach Gilford, who played the still-waters-run-deep quarterback Matt Saracen on Friday Night Lights.

It's one delight of doing a lot of TV criticism: Some shows really sneak up on you. It's just so much fun when it happens.

HBO got Alan Ball at the right time.

Ball won an Oscar in 2000 for writing American Beauty. Shortly thereafter, in 2001, with HBO's drama brand still in its infancy (The Sopranos was a couple of seasons old), he created Six Feet Under for the network. Both it and later Ball's True Blood were fundamental to HBO's growth, and now, the network is ready to introduce his new show.

The Philadelphia Eagles won the Super Bowl on Sunday night. You could be forgiven for not expecting it — it's never happened before. And on this historic occasion, Stephen Thompson and I sat down Monday morning to talk with some of our favorite panelists about the game and the surrounding entertainment. With us is Katie Presley, a New Orleans Saints fan without too much at stake in this game. But also with us is Gene Demby of NPR's Code Switch team. Gene is a longtime Eagles fan who had, in terms of fandom, a lot at stake in this game.

Hospital shows are a network TV staple. There are more than 625 episodes of just Grey's Anatomy and ER combined — and Grey's is still going. Just as last season, NBC found a hit in the fairly traditional family drama This Is Us, ABC has gotten lucky with the hospital show The Good Doctor.

Before we begin, a note: See how the adjective up there in that headline is "favorite," not "best?" That's intentional.

Updated at 11:09 a.m. ET

The nominations for the 90th Academy Awards were announced Tuesday morning by a dapper, genial Andy Serkis and the always-intoxicating Tiffany Haddish.

Only a few minutes into Sunday night's Golden Globes red-carpet broadcast on E!, Debra Messing explained to host Giuliana Rancic why nearly all the women were wearing black. (The men were, too, but they always do that.) Messing explained that it was part of the Time's Up initiative, which supports women who suffer from sexual harassment and assault — and not just in Hollywood. She went on to call out the recent departure from E!

One of the awards contenders that's emerging toward the end of this year is Three Billboards outside Ebbing, Missouri. It stars Frances McDormand as a woman named Mildred who sets up the billboards in question to demand action from local police to solve the murder of her daughter. But it slowly shifts focus until it's only partially about Mildred; it's also about the dryly funny family man (Woody Harrelson) who's the police chief and about a viciously racist officer (Sam Rockwell) who's been terrorizing the black population of the town.

Copyright 2017 NPR. To see more, visit


OK. We're going to talk a little bit about television now. Maybe you remember a gay lawyer and a straight interior designer who made TV history. Here they are playing a party game in the 1998 pilot of their TV show.


Copyright 2017 NPR. To see more, visit


The 2016 Tony Awards were fun, but undeniably a little anticlimactic. By then, it was in large part a coronation of Hamilton, a delivery mechanism for the many, many awards we all knew it would win. (And did.)

You don't need me to tell you how much more television there is than there used to be, or how many more places you can find it. You don't need me to tell you that its population of creatively ambitious and idiosyncratic shows has grown enormously, as has its population of cheaply made UCSs – Undiscovered Channel Shows, where you learn that a show is entering its third season and only then do you realize that (1) it exists and (2) your byzantine cable menu actually does get that channel (although perhaps not in HD).

Well, excuse me while I throw away my first draft, won't you?

Grey's Anatomy is back Thursday night for the second part of its 13th season. It's hard to last that long, but it does seem that Grey's is — in the words of a friend of mine — "unkillable." And when you press its viewers on their thoughts about it, you often get a clear-eyed, fully aware evaluation of strengths and weaknesses that add up to a habit that's endured for over a decade.

Mary Tyler Moore, who died Wednesday, wasn't just beloved. She was the kind of beloved where they build you a statue. Moore's statue is in Minneapolis, where her best-known character, Mary Richards of The Mary Tyler Moore Show, worked for the fictional television station WJM. She'd already won two Emmys playing Laura Petrie on The Dick Van Dyke Show, but Moore cemented her icon status when Mary Richards walked into that job interview. Even if she got off to a rough start with Lou Grant, her soon-to-be boss, who kept a bottle of whiskey in his desk.

Gene Demby of NPR's Code Switch team is in our fourth chair this week as we start by trying to make sense of all our reactions to HBO's new drama The Young Pope. The cardinals! The intrigue! The smoking! The ... unexpected animal cameos! It's a really interesting show that has us a little perplexed in places, so please join us as we try to figure out whether we like it or not.

Most television shows arrive accompanied by the question, "Is it good?" Revivals of old shows, however, often arrive with the question, "Is it necessary?"

Copyright 2016 NPR. To see more, visit


The Television Critics Association is ... okay, that's the easy part. It's an association of people who write about television, mostly as critics, although many function, either instead or in addition, as reporters. I'm in it, as is NPR's full-time TV critic Eric Deggans, as are a couple hundred other people. And twice a year — once in the summer and once in the winter — we gather in the L.A. area for what's referred to as either "press tour" or "TCA," so that we can hear about what's coming up on TV and get a chance to talk to the people who make it.

We have to posit first that baking itself can feel like magic. A simple loaf of bread might include only flour, water, yeast and salt, and it can still transform from a sticky blob to a pillowy ball with a texture unlike anything else you've ever handled to a final product that's perfectly crisp on the outside, perfectly tender on the inside. Not only that, but it will audibly crackle at you as it cools on the counter. It will pass through a perfect moment for consumption, and then that moment will be gone.

It's strange to describe the apparent purchase and forgiveness of nearly $15 million in medical debt as "impish," but bear with me.

NBC hyped its new Maya & Marty variety series, starring Maya Rudolph and Martin Short, as a sort of whimsical variety show. What actually emerged Tuesday night, on the other hand, was a slack Saturday Night Live imitator for the prime-time summer nights where reruns used to live.

We were very excited to be invited to participate in the Vulture Festival in New York on May 22, where we taped this live episode in front of a fantastic crowd. We wanted to have reliable weapons at our disposal, so in addition to our great producer, Jessica Reedy, who handled all the logistics and other tricks of her trade, we brought Audie Cornish to be our fourth chair.

Copyright 2016 NPR. To see more, visit

One of the best things I've gotten to do while hosting PCHH is have Glen Weldon introduce comics to me. I often don't have time to keep up with even ones I like, but I regularly get the chance for him to show me things I wouldn't otherwise have seen and remind me of just how much there is out there that I'm missing. And our best opportunity to do that is Free Comic Book Day.