Linda Holmes

It's not easy being one of the last soaps standing, as Neda Ulaby reports on today's Morning Edition. For fans, the shuttering of iconic shows like All My Children and Guiding Light has upended routines that, for some, date back to childhood. When I was in high school, my soap of choice was Days Of Our Lives, which Neda says has changed a lot since that era — well, it's changed and it hasn't.

Kristin Chenoweth talks to Jacki Lyden on today's Weekends on All Things Considered, and if the only thing you got from the interview was Chenoweth warbling a bit of the first solo she ever did in church, it would be well worth it.

The Emmy-winning actress stars on ABC's new GCB, a sort of Desperate-Housewives-ish dishy, soapy comedy-drama premiering Sunday night at 10. She's come quite a long way since, as she explains, her father negotiated her first contract.

It's perhaps fitting that during a year when Hollywood made even more films than usual about the love of film itself, the two big winners at the 84th Academy Awards on Sunday night were the movies most overtly about cinephilia: The Artist, a silent black-and-white film about silent black-and-white films, and Hugo, the story of a boy who meets a reclusive filmmaker and helps him rediscover his love of his art.

George Clooney is nominated for two Oscars this year — for his lead role in The Descendants and for co-writing the adapted screenplay for The Ides Of March, which he also directed. He speaks to Robert Siegel on today's All Things Considered about film, but also about the life he lives as one of Hollywood's most famous men.

In the end, there were nine nominees for Best Picture announced on Tuesday morning, and eight of them were entirely predictable: The Artist, The Descendants, The Help, Hugo, Midnight In Paris, War Horse, The Tree Of Life, and Moneyball.

John Hawkes' conversation with Melissa Block on today's All Things Considered begins as many of his conversations might: with her noting that when she told people she was coming to talk to him and rattled off his credits, she got a response that he undoubtedly gets a lot: "Ohhh, he's that guy."

The Iranian drama A Separation has popped up on more than a few critics' lists of the best films of 2011, despite little exposure in the U.S. thus far. It will open in limited release December 30, and as Howie Movshovitz of Colorado Public Radio reports on Friday's Morning Edition, it serves as both a family drama and a piece of social observation about life in Iran.

It's almost here. And by "it," we mean the new season of Downton Abbey, the UK-produced drama about the Crawley family and their servants that PBS imported for Masterpiece Classic with great success. Series two has already run in the UK, but if you've been good and patient and resisted the urge to obtain it by illicit means, your wait is nearly over: the new season begins on PBS on January 8th.

Is it pure whimsy that makes something like "Callin' Oates" appealing?

If you pick up your phone and call 719-26-OATES — at least as of this writing — you'll get a computerized woman's voice telling you what numbers to press to hear one of four Hall & Oates songs.

The question, of course, is ... why?

Charlize Theron is ugly in Young Adult, the new film from the Juno team of director Jason Reitman and screenwriter Diablo Cody — both literally and personally. In parts of the film, she still looks like her knockout movie-star self, but in other parts, she looks like she's aged a year for every day since her character, Mavis Gary, left high school.

So ... now what?

You might think Harry Potter fever would be petering out now that the books and the films have come and gone. You, of course, would be wrong, as Ben Bergman reports on today's Morning Edition.

From a pop culture perspective, Hugh Grant's testimony yesterday about ethics in journalism is a fascinating step for a guy who's already had a pretty interesting trajectory.

Following the exit of producer Brett Ratner from the upcoming Oscars telecast yesterday, Eddie Murphy — whose new film Tower Heist is also Ratner's latest directorial effort — has stepped aside as host of the 2012 show, the Academy of Motion Picture Arts and Sciences announced today.