Mark Jenkins

Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.

Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.

He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.

Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.

He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.

Movie Reviews
5:03 pm
Thu March 20, 2014

It's Faction Against Faction In A Grim Future Chicago

Tris (Shailene Woodley) and Four (Theo James) train hard as part of the warrior faction Dauntless in Divergent, based on the novel by Veronica Roth.
Jaap Buitendijk Summit Entertainment

The latest teen-girl fiction series to become a movie franchise, Divergent delivers adolescent viewers some bad news and some good news. The bad is that the dystopian future will be just like high school, with kids divided into rigid cliques. The good is that adulthood will be just like high school, so teens face no major surprises.

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Movie Reviews
5:03 pm
Thu February 27, 2014

In 'Stalingrad,' Where The Fog Of War Is Plenty Thick

Teenage civilian Katya (Mariya Smolnikova) shares a ruined apartment with a gang of Soviet soldiers during the battle of Stalingrad in Fedor Bondarchuk's Stalingrad.
Sony Pictures

If you're only going to see one film about the Battle of Stalingrad — and there are many — Stalingrad would be the wrong choice. Russian director Fedor Bondarchuk's treatment of the World War II turning point is shallow and contrived, if sometimes impressively staged. The movie wins points, however, for sheer wackiness.

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Movie Reviews
8:54 am
Wed July 3, 2013

For Power-Pop Fans, The Woeful Ballad Of 'Big Star'

The Memphis pop band Big Star (composed at one point of, from left to right, Andy Hummel, Jody Stephens, Chris Bell and Alex Chilton) would eventually be acknowledged as a significant force among purveyors of power-pop — though not until years after the group's demise.
Magnolia

Originally published on Wed July 3, 2013 10:23 am

In the early 1970s, the Memphis band Big Star played Beatles-esque pop-rock whose exuberance was laced with melancholy. That the ruefulness was earned becomes poignantly clear over the course of the documentary Big Star: Nothing Can Hurt Me.

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Movie Reviews
5:03 pm
Thu November 8, 2012

'Dangerous Liaisons' Gets A Far-East Makeover

Xie Yifan (Jang Dong-gun) sets out to seduce a young widow, Du Fenyu (Zhang Ziyi), at the behest of his former flame.
Well Go USA

Relocating Dangerous Liaisons, the 18th-century French erotic intrigue, to 1930s Shanghai is a bold move. And yet it's not especially surprising. In Chinese movies, that city in that decade frequently serves as shorthand for decadence. And what could be more decadent than two debauched ex-lovers cold-heartedly planning to destroy the innocence of not one but two virtuous women?

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Movie Reviews
5:03 pm
Thu October 11, 2012

A 'Big Picture' Intently Focused On The Details

Paul (Romain Duris), an aspiring photographer, assumes another man's identity to escape his job, marriage and dull life.
MPI Media Group

The original French title of The Big Picture — an adaptation of a novel by American expatriate writer Douglas Kennedy — means "the man who wanted to live his life." That's pointedly ironic, since this existential thriller is about a person who seeks personal freedom by becoming somebody else.

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Movie Reviews
3:34 pm
Fri August 3, 2012

In A Decrepit Future, An Identity Crisis Multiplies

Doug Quaid (Colin Farrell) visits Rekall, a company that implants memories in its customers, in an attempt to explain a series of recurring dreams. Farrell plays the role originally portrayed by Arnold Schwarzenegger in the 1990 film of the same name.
Michael Gibson Columbia Pictures

Originally published on Thu August 2, 2012 5:03 pm

Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.

Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)

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