Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

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Say what you will about some of the biggest songs of the 1980s — go ahead and badmouth electric pianos, and by all means bemoan the prevailing production quality — but the decade continues to cast a long shadow over popular music. Given its enduring popularity on dance floors and on radios, not to mention the rise of '80s-emulating singers like Gotye, you could do far worse than look to that decade for tips on connecting with audiences.

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With the conclusion of Sunday night's ceremony, Linda Holmes and I have now live-blogged fully one-eleventh of the Grammy Awards' 55 annual incarnations. Below is our original post and an archived live blog of the telecast:

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Widowspeak is a fount of familiar sounds, from early-'90s shoegazer rock to twangily portentous Western soundtracks to the languidly soft pop of Mazzy Star's Hope Sandoval. But the Brooklyn-based duo of Molly Hamilton and Robert Earl Thomas fuses them all into a hazy swirl and gives them a kick of buzzy energy — and, in the process, gives the music a dreamy pop sound of its own.

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The Danish singer and multi-instrumentalist who goes by the name Indians, a.k.a. Søren Løkke Juul, makes music that retains its intimacy even as it seems to sprawl out into space. On his first full-length album, Somewhere Else (out Jan. 29), he masters a kind of quiet adventurousness; it's remarkable headphone music that reaches both the heart and the loneliest reaches of the heavens.

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Holiday music is often the domain of musicians who do the bare minimum. Available shortcuts abound: So many standards reside in the public domain, the arrangements write themselves, and expectations for the work as a whole generally hover somewhere in the neighborhood of "This could be nice, I suppose."

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For a band with a firm grasp on pristine, precise production and immaculate vocal

harmonies, Grizzly Bear can be inscrutable at times: Its members have been known to use their formidable studio chops in the pursuit of what can sound like puzzles waiting to be solved.

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