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Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR.

Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. An NPR "founding mother," Stamberg has been on staff since the network began in 1971.

Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for Morning Edition.

One of the most popular broadcasters in public radio, Stamberg is well known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti.

Prior to joining NPR, she served as producer, program director, and general manager of NPR Member Station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. Talk: NPR's Susan Stamberg Considers All Things, chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's All Things Considered Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, and the Distinguished Broadcaster Award from the American Women in Radio and Television.

A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

Twentieth century painter Romaine Brooks introduces herself in a 1923 self-portrait: She wears a narrowly cut, long, black riding jacket with a white blouse. She has short cropped hair, and her eyes are shadowed by a black high hat. There's the slightest smudge of maybe pink on her lips — otherwise the whole portrait is black and various shades of gray.

In Paris, a really old dress has sold for more than $150,000. Now, if that sounds like an unreasonably high price tag, keep this in mind: The 1730s dress is in mint condition, it might have been worn at Versailles, and it was part of a fashion revolution.

Known as a robe volante — or flying dress — the long, luscious yellow brocade gown is patterned with silver thread. It's loose-cut, with soft pleats in the rear, a deep V in front and graceful flow-y sleeves.

Georgia O'Keeffe, Edward Hopper and George Bellows were very different artists, but they did have at least one thing in common: They all studied with painter William Merritt Chase. Now, the Phillips Collection in Washington, D.C., is marking the centennial of the artist's death with a retrospective.

"You walk around these galleries and the paintings are gutsy and bold and scintillating and brilliant," says Dorothy Kosinski, director of the Phillips.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

How does an artist know when a work is finished? Sometimes it's a deliberate decision. Other times, the decision is made by fate or circumstance. Now, an extensive exhibition at The Met Breuer Museum in Manhattan is exploring great works of unfinished art.

The Unfinished show has an intriguing subtitle: "Thoughts Left Visible." The exhibit showcases works made over some 600 years, which offer glimpses into the creative process and sometimes reveal artists' anger or despair.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

When Louis XV, King of France, first met the woman who would become his chief mistress, she was dressed as a domino, and he was dressed as a plant. It was 1745, and Jeanne Antoinette Poisson, the pretty young woman who would become Marquise de Pompadour, had been invited to a masked ball at Versailles. If this sounds like a chance meeting, it wasn't — her family had been strategizing to orchestrate this very moment for years.

Los Angeles is a city of extremes: There are neighborhoods so luxurious only millionaires can afford them and neighborhoods so poor that residents work several jobs to pay the rent. Now, a young LA painter is bringing these neighborhoods together on his canvases.

In the 19th century, French artists started getting creative with black materials— chalk, pastels, crayons and charcoal — some of them newly available. Now, a show called Noir at the J. Paul Getty Museum in Los Angeles celebrates the dark.

"Black can be intense and dramatic," says Timothy Potts, director of the Getty. "I mean it's dark, it's the color of the night, of the unknown, of the scary."

Eleven-year-old Neel Sethi is about to be kidnapped by monkeys. Rigged up to a harness in front of a blue screen, he prepares to run, leap and cavort — a live-action dance that will later be mixed with computer-generated animals.

It's hard to imagine a more magical way to begin a museum visit than to step inside The Infinity Mirrored Room at The Broad Museum. Artist Yayoi Kusama has covered the walls, floor and ceiling with mirrors. LED lights hang from the ceiling and are reflected everywhere you look. The lights sometimes move with the closing of the door, and create a wonderland of infinite color.

One of the most dramatic homes in Los Angeles has just been donated to the Los Angeles County Museum of Art. Designed in 1961 by John Lautner — an influential Southern California architect — the glass and concrete house clings to the side of a canyon. Its present owner, James Goldstein, has been revising and perfecting it for 35 years.

The question of who is represented and who is left out is rocking the country these days, from Hollywood to politics. And, in Venice, Calif., representation is at the heart 19 dramatic portraits, now on display at the L.A. Louver.

The paintings are of talented female artists, all working right now in Los Angeles. Campbell felt women artists are over-looked, not getting shown in museums and galleries, becoming invisible.

One of the world's most precious volumes starts a tour on Monday, in Norman, Okla. The Folger Shakespeare Library in Washington, D.C., is sending out William Shakespeare's First Folio to all 50 states to mark the 400th anniversary of the bard's death. Published seven years after he died, the First Folio is the first printed collection of all of Shakespeare's plays.

Just in time for the holiday travel season, the Smithsonian's National Air and Space Museum has an exhibit about one aspect of flying that most of us ignore: airport control towers. Those beacons of the landscape — where landings and takeoffs are orchestrated — are now the stars of some dramatic photographs.

Editor's note: For more years than we can remember, the Friday before Thanksgiving has meant that NPR's Susan Stamberg would try to sneak a notorious and, yes, weird family recipe into NPR's coverage. And 2015 is no exception. Here's Susan.

Betsy Broun, director of the American Art Museum, grew up in a small town in Kansas. When she saw the photographs of women in Vogue -- with their pinched waists and impersonal expressions — "it never even dawned on me that those women lived on my planet," she says.

Irving Penn took those posed, perfect, glossy images — some of which are now on view at the Smithsonian American Art Museum in Washington, D.C.

Smack in the middle of all the political clatter in Washington, D.C., stands a solitary, serene woman in a pale blue satin jacket, reading a letter. She's from the 17th century, and her visit marks an important anniversary for the National Gallery of Art.

She was painted by Dutch Master Johannes Vermeer around 1663. Twenty years ago, in 1995, the National Gallery put on the first Vermeer retrospective ever, featuring 22 of only some 35 Vermeers known to exist. The show was a hit — despite some pretty serious hurdles.

With sculptural swoops and sweeps and unusual materials, Frank Gehry changed the course of architecture. His creations, such as the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles, created a new architectural language.

It might be considered nosey to thumb through someone else's little black address book, but that doesn't bother Mary Savig, curator of manuscripts at the Smithsonian Archives of American Art. "It is very nosey and that's why I really enjoy doing it," she says.

The "Little Black Books" of some major and minor American artists are currently on view in a show at the Archives of American Art in Washington, D.C.

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