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Tom Moon

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(SOUNDBITE OF SONG, "PROCESSION")

KADHJA BONET: (Singing) Oh, every morning brings a chance to renew, chance to renew. Oh...

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Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

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After a six-year hiatus, Canadian singer Feist is back. She's out with her fifth album. It's called "Pleasure," but that's a bit of a misdirection. Reviewer Tom Moon says the album explores the quest for inner-strength in the painful aftermath of romance.

Stephen Bruner is a bass player, singer and songwriter who's as well known for his own music as for his collaborations. But when he released his latest solo single as Thundercat few weeks ago, those who know his work with Kendrick Lamar were scratching their heads. Here was a fiery visionary collaborating with two icons of easygoing '70s pop: Kenny Loggins and Michael McDonald.

Over the years, music fans have slowly filled in details about a hard-working, mostly anonymous collective of Detroit studio musicians known as The Funk Brothers, who were the backing band for many of Motown's hit songs. Less documented is what these musicians did when they were not in the studio.

Every so often, you run across a collection that opens up an entirely new way to think about an artist. Jack White's new, 26-track retrospective, which focuses on his unplugged, less raucous songs, does just that. The unreleased songs, album tracks and B-sides that make up Jack White Acoustic Recordings, 1998-2016 offer a fresh window onto the work of the creative, prolific rock musician.

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Gregory Porter is a jazz singer who is pushing the boundaries of jazz singing. In the last few years, he's recorded with bluesman Buddy Guy, classic singer Renee Fleming and, most recently, with the U.K. electronic duo Disclosure.

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Scott Weiland, the singer and lyricist of the '90s rock band Stone Temple Pilots was found dead yesterday. He was 48. Music critic Tom Moon says Weiland's contribution is as a smart popularizer whose songs brought a touch of grunge menace to mainstream rock.

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Son Little's music can be a little tricky to classify. One writer called him Sam Cook in outer space.

(SOUNDBITE OF SONG, "YOUR LOVE WILL BLOW ME AWAY")

SON LITTLE: (Singing) Runaway, this afghan kush we're bubbling won't burn away.

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This is what made Ludovic Navarre famous 15 years ago.

(SOUNDBITE OF SONG, "ROSE ROUGE")

MARLENA SHAW: (Singing) I want you to get together. I want you to get together.

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Craig Finn is part of a quickly growing demographic group - aging indie rockers. He led the band Lifter Puller in the '90s and is still the front man of The Hold Steady. His breathless songs look at the indie rock scene with a romantic eye.

Lots of magazines do big lists, but few rely on them as heavily as Rolling Stone does. The magazine cranks out a list for just about every aspect of popular music. All promise authoritative, canonical overviews of various elements of the art; at their best, these offer context and critical insight, helping readers fill gaps in their knowledge.

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When he started the Robert Glasper Experiment, the pianist was trying to blend hip-hop, jazz and R-and-B into a new sound.

(SOUNDBITE OF SONG, "CHERISH THE DAY")

For some people, gospel music is all about the message — of faith and forbearance, sin and salvation. For the members of the mostly instrumental supergroup known as The Word, gospel is more about a feeling. The group's long-awaited second album, Soul Food, is a rousing, thoroughly modern take on gospel.

Working as a music journalist means that some days you get to tell people, in breathless prose, about an incredible new record you've discovered. On other days, you have to tell people that an artist you've followed and respected for years is no longer living. That part is never any fun. Listening to the hushed, elegantly spare Seth Avett & Jessica Lea Mayfield Sing Elliott Smith, I found myself transported back to the period right after Smith died, of apparently self-inflicted stab wounds, in 2003.

He asks a lot of questions, this José González.

He opened his last album, 2013's band project Junip, with a thought experiment Nietzsche could love: "What would you do if it all came back to you?" The song, "Line Of Fire," dwells in a mood of idle 3 a.m. musing; González tosses out existential/metaphysical conundrums like he's feeding bread to ducks — casually, without worrying much about concrete answers.

Dylan The Crooner

Feb 3, 2015

Bard. Voice of a generation. Bob Dylan has been called many things over the years. With his new album, Shadows in the Night, the 73-year-old aims for another title: crooner.

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Saxophonist Bobby Keys was still a teenager when he started playing with his fellow Texan Buddy Holly and pop star Bobby Vee. Later, he joined up with the Rolling Stones. And for more than 40 years, Bobby Keys' powerful sax was a key part of their sound.

This is not Dueling Banjos: The Married Couple Edition. You won't find the careening energy of the mano-a-mano from the Deliverance soundtrack, or of the Flatt and Scruggs classic "Foggy Mountain Breakdown." Outbreaks of dazzling, speed-demon technique are few.

In the last 20 years, Prince has gotten more attention for his acrimonious spat with Warner Brothers — and the shenanigans surrounding his name — than for the music he's continued to make. And yet, as a performer, Prince is still undeniable, one of the living best.

A clue about the scruffy aesthetic of Sukierae arrives at the 2:27 mark of "World Away," one of 20 (!) songs on the first family-band album from Jeff Tweedy of Wilco. Until this point, the tune — a variation on the Bo Diddley beat strummed on acoustic guitar, with Tweedy's sleepy voice distantly implying a blues cadence — has been fairly straightforward.

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Joe Beck was a hard-working musician who played guitar in recording sessions with James Brown, Miles Davis and Paul Simon.

(SOUNDBITE OF SONG, "YOU'RE KIND")

Melissa Aldana, who became the first female instrumentalist and first South American musician to win the Thelonious Monk International Jazz Saxophone Competition last fall, is not the average talent-contest winner.

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The creators of pop music are usually able to break down the fundamentals of their craft — that search for the clever rhyme, the killer beat, the singable chorus. They are less articulate, understandably, about the other quest, the one that powers those everyday searches: the pursuit of ecstasy in sound. There's something almost paranormal about that part of the creative process, yet we know those moments, instantly, when we hear them.

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