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Phoenix

Simply a superior film.

Phoenix

Grade: A

Director: Christian Petzold (Barbara)

Screenplay: Petzold, Harun Farocki (Barbara)

Cast: Nina Hoss (Barbara), Ronald Zehrfeld (Barbara)

Rating: PG-13

Runtime: 98 min

by John DeSando

“Tomorrow is here, tomorrow is near and always too soon.” Kurt Weill

Even if you’re a disfigured Holocaust survivor like Nelly (Nina Hoss), tomorrow’s march of time will bring its own survival scenario.  Her new face gives her problems with her husband,  Johnny (Ronald Zehrfeld), as he recruits her to impersonate his wife in order to get his wife’s inheritance. As in Hitchcock’s Vertigo, the lead female undergoes transformation dealing with the man in her life while sustaining the mistaken identity motif.

Even that plot feels Hitchcockean. No question it’s a classic  suspend-your-disbelief  situation, and it has the almost dreamy quality of Boy in the Striped Pajama. Both works take an isolated, unbelievable scenario related to the Holocaust that nevertheless illuminates the numbing, existential anguish of that horror.  

While Nelly searches for Johnny, she is also discovering strength in herself that is part survival and part recognition that the corruption of Auschwitz is not the only corruption in the world. The depiction of that dark postwar world has German expressionism written all over it with the black and white contrasts, lonely European streets and even the corruption and irony of the cabaret.

Nina Hoss’s performance, part stunned and part determined, deserves award-season recognition. Her uncertain gait and disfigured face suggest the disorientation the war has brought.

Director Christian Petzold  deserves credit for the stunning noirish look that also reflects a real-world, anytime struggle humans have with the combat between appearance and reality and the realization that we cannot know each other completely. As the title suggests and the name of the night club reflects, regeneration is possible but may be as elusive as the mythical bird.

No movie has ever been able to provide a catharsis for the Holocaust, and I suspect none will ever be able to provide one for 9/11. Such subjects overwhelm art.” Roger Ebert

John DeSando, a Los Angeles Press Club first-place winner for National Entertainment Journalism, hosts WCBE’s It’s Movie Time and co-hosts Cinema Classics. Contact him at JDeSando@Columbus.rr.com

John DeSando holds a BA from Georgetown University and a Ph.D. in English from The University of Arizona. He served several universities as a professor, dean, and academic vice president. He has been producing and broadcasting as a film critic on It’s Movie Time and Cinema Classics for more than two decades. DeSando received the Los Angeles Press Club's first-place honors for national entertainment journalism.