A disgraced politician lets it all hang out in this memorable documentary.
Weiner
Grade: A-
Director: Josh Kriegman, Elyse Steinberg
Cast: Anthony Weiner, Huma Abedin
Rating: R
Runtime: 1 hr 36 min
by John DeSando
“I did a lot of things.
“ But I did a lot of other things too.” Anthony Weiner
The tragicomic story of seven-term congressman from New York, Anthony Weiner, is almost too absurd to be true. After resigning from Congress over sexting, while waging a vigorous 2013 campaign for mayor of NYC, Weiner is disclosed to have texted again visions of his maleness to other women than his wife, Huma Abedin. The tragedy is that this aide to then Senator Hillary Clinton is an accomplished woman, totally undeserving the abject humiliation her husband’s sexting has caused her.
Filmmakers Josh Kriegman and Elyse Steinberg in this fascinating doc called Weiner gained permission from him to film his most intimate moments of the campaign, especially with his wife while his tech-straying disgrace is made public. While for us commoners, such peccadilloes amount to little in a public forum (but much, of course, in the personal arena), these moments are heart-rending to see: This accomplished wife forces herself, with barely a smile, to support her husband.
The ancient Greeks knew well the flaws and foibles of celebrities gone wild. In this revelation of hubris, an overweening pride that comes before the fall, even the tragedians might not have dared to show the Congressman sexting even after his initial exposure (so to speak). Yes, he sends photos of his masculinity to a 22 year old woman, who will complete his ignominy by revealing them to a press overjoyed at a second round.
The despair is that he had seemingly come back into the good graces of the public, only to be outed again and lose that support and the mayoral primary to Bill DeBlasio. The documentary is there for the grand moments of revelation and shame, none more poignant than privately with his wife, who seems almost shell-shocked by the new revelation.
Unfortunately, the quotes at the beginning of this review are the most insight we ever get, despite the filmmakers’ intimacy, to help us understand why such a gifted populist should so carelessly toss away his position and reputation. Perhaps his wife’s mute incredulity stands for our own.
In the end we must conclude with a saying never more appropriate than here: “Who knows the secrets of the human heart?”
John DeSando, a Los Angeles Press Club first-place winner for National Entertainment Journalism, hosts WCBE’s It’s Movie Time and co-hosts Cinema Classics. Contact him at JDeSando@Columbus.rr.com
