Originally published on Fri August 27, 2004 4:06 pm
In the summer of 1970, a train carrying Jerry Garcia and the Grateful Dead, The Band, The Flying Burrito Brothers, Buddy Guy and Janis Joplin rolled from Toronto to Calgary, stopping for scheduled concerts along the way.
Billed as the Canadian Woodstock, The Festival Express was a musician's dream and a promoter's nightmare. The train was loaded with musical instruments, food, liquor -- and a film crew.
Three decades later, Bob Smeaton, director of the Beatles Anthology television miniseries and a film on Jimi Hendrix, worked with 75 hours of raw footage to make Festival Express.
"I thought that the best thing to do would be to make it the way that I feel they would have made it had they made it in 1970," he tells
Smeaton gave the film a distinctive "retro" feel, utilizing a split screen familiar from the period documentaries about Woodstock and the Monterey Pop Festival and foregoing any of the visual enhancements of contemporary videography.
As the director says, "I wanted people to see the film and feel as though they're being transported back to 1970."