The Global Village

Recently, I was listening to a new tribute album covering the songs of Fleetwood Mac, and thought once again how dreadful most tribute albums are: They don't add much to the legacy of the artists being saluted, while inadvertently freezing vital old music in an amber of sentimentality. Then I turned to When I'm President, an album of new songs by Ian Hunter.

Despers USA practices on a big parking lot off Atlantic Avenue in Brooklyn, N.Y. Band members start wandering in around 6 or 7 p.m. and slowly take their places behind racks of steel drums. Like a symphony orchestra, they're organized by section — the thin tenors ringed around the outside; the big, deep, oil-drum basses toward the center; the midrange "guitars," as they're called, nearby.

Their section leader counts them in. He stops them, and then stops them again, saying the opening needs to be stronger. Eventually, they get it.

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The new quartet album by alto saxophonist Miguel Zenón and pianist Laurent Coq is called Rayuela, which means "hopscotch." It's named for Julio Cortázar's novel, the fragmented tale of a wandering bohemian and his social circles in Parisian exile, as well as back home in Buenos Aires.

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The musician known as Cat Power has a penchant for goofing around. That might come as a surprise to those familiar with her music, which is always at least a little bit mournful.

Every Tuesday night at the 5 Spot, some 200 people show up the East Nashville bar for Two Dollar Tuesdays: a $2 coverage charge, $2 beers and five musical guests. It's hosted by Derek Hoke, an unassuming, laid-back guy with the cowboy hat and retro-vintage eyeglasses.

"I call it a speed showcase," Hoke says. "Everybody plays five songs, and I tell them to play the 'best of' — you know, get up there, kill and get off. There's somebody coming up right after you, and we have to plow through this thing."

Sierra Leone's Refugee All Stars will perform Live From Studio A on September 7, 2012 during the Global Village. 

The Brooklyn-based ambient-folk duo Family Band is a collaboration between visual artist turned frontwoman Kim Krans and her husband, former heavy-metal guitarist Jonny Ollsin. Together, they craft beautifully dark, folk-influenced songs, which they fittingly describe as "heavy mellow."

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Chan Marshall, the creative force behind Cat Power, has long been indie rock's standard-bearer for melancholy navel gazing. In a career spanning nearly two decades, she's produced a large catalog of mostly moody confessionals, mixing blues, folk and arty punk with a swoon-inducing, transcendent voice. She could sing random figures from her tax returns and convey more heartache and angst than many other artists could match in their deepest moments.

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The Montreal pop band Stars has always kept several sensibilities in rotation: Its arsenal includes fizzy pop, melancholy dance music, boy-girl ballads that flesh out the painful realities of modern romantic life, and anthems that address war, politics, gender dynamics and even the meaning of life. As such, Stars' albums tend to jump around a bit — rarely more so than on The North, the group's sixth full-length record, out Sept. 4.

Charlie Mars will play selections from his new album Blackberry Light, on the Global Village during the 2PM hour. 

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"Duquesne Whistle," begins in the middle of a scene, like the fade-in in a classic Western. It's the first song we get to hear from Bob Dylan's Tempest, the album he will release on September 11, 50 years and six months after the commencement of his recoding career.

Regina Spektor plays the piano so loudly, she has to convince piano tuners to adjust the instrument to her liking.

"It gets so loud that the strings reverberate in a certain way," Spektor says. "And I always want them to work on the voicing and to soften the hammers, and they get kind of argumentative with me — they're like, 'You're not supposed to play this loud.'"

In 2009, The Avett Brothers became one of the surprise hits of the year. Paste Magazine considered their I and Love and You the best album of that year, calling it "an overpowering acoustic album brimming with sadness and soul."

That sadness took on new meaning recently. Bassist Bob Crawford took a temporary leave from the band to tend to his infant daughter, Hallie, after she developed a brain tumor.

Next month, The Avett Brothers release a new album, The Carpenter, which explores the delicate balance between life and death.

Sean Rowe has a voice and a style that stands out in popular music. His voice is deep — really, truly deep — fine, and often doleful. He's a baritone troubadour who sings of roads not taken, regrets and the dreams that shake you awake at 3 in the morning.

After years of working bars, road houses and more bars, Rowe is playing concert stages and winning over critics for his story-songs and that remarkable voice. But, as he tells NPR's Scott Simon, he wasn't always so proud to be a singer.

English singer-songwriter Beth Orton is one of the best-known practitioners of a subgenre in which folk songs are set to electronic beats — it's a sound she employed to popular and powerful effect throughout the late '90s and early '00s, on hit albums such as Trailer Park, Central Reservation and Daybreaker.