The World Cafe

The Cincinnati band Heartless Bastards is led by Erika Wennerstrom, whose husky vocals have fueled the group's progression into a powerhouse rock force on its fourth studio album, Arrow. The new record marinates in all that is classic rock — catchy hooks, big riffs, a powerful voice — but also sets itself apart with Wennerstrom's distinct voice.

Nika Roza Danilova, known on stage as Zola Jesus, has crafted an experimental, genre-straddling sound which incorporates Gothic rock, lo-fi acoustic music, orchestral instrumentals, ambient electronic sounds and strong, diva-esque vocals. She's released three full-length studio albums in the span of three years, and each has sounded more purposeful and powerful than the last.

Vermont folk singer-songwriter Anaïs Mitchell's confessional ballads and strong, emotive singing have earned her comparisons to Leonard Cohen, Bob Dylan and Gillian Welch.

Jennifer Castle has been described more than once as one of Canadian folk's best kept secrets for her otherworldly and captivating style. She's collaborated with a diverse range of contemporaries — The Constantines, Doug Paisley and Ryan Driver, to name a few. Her three minimalist and delicate full-length albums incorporate her many inspirations — nature, space, planets and the simple things in life.

This World Cafe segment completes our Sense of Place Portland series, and the focus is on what Portland, Ore. — a city brimming with culture, coffee and bands — has been like for the musicians who settle there.

The Shins are a dream-pop outfit from Portland, Ore. Arising as a side project while singer/songwriter James Mercer lived in New Mexico, the band took on a life of its own after a number of singles such as "New Slang" were featured in films, pulling the young indie rock group into the national spotlight.

Who better to introduce the true sound of Portland, Ore. than the man behind many of its best musical acts?

Our Sense of Place Portland series focuses on the history of Portland, Ore. pop music as observed by longtime resident Terry Currier. He's uniquely qualified to survey the Portland music scene and the state of the record business because he owns Music Millennium, Portland's premier independent record store, where he has worked since 1972. He is also the founder of the Coalition of Independent Music Stores.

Imelda May began her affair with rockabilly early on in life — by the time she was 9, she'd already begun to emulate Elmore James and Billie Holiday. In 2007, after years of singing in clubs, May stole the spotlight with Love Tattoo. The 12-track collection shot to the #1 spot in Ireland, stealing the hearts of audiences and contemporaries the world over.

In this special World Cafe broadcast, we explore a side of Portland, Ore. with The Decemberists frontman Colin Meloy.

Hailing from New York, acoustic pop sensation Julia Nunes got her start posting videos on YouTube in 2006, playing covers from idols such as The Beatles, Ben Folds and The Beach Boys.

Hailing from the rain-soaked, indie folk hub that is Portland, Ore., the members of Y La Bamba are pretty far from their Latin inspirations. But this pop outfit is centered around the powerful, otherworldly vocals of Luz Elena Mendoza, and some of her main influences came from a childhood in Mexico — accordions, mariachi and Latin rhythms.

This week, World Cafe invites you to discover the music of New Orleans with the series Sense of Place.

Willie Nile's folk-rock career has been varied and somewhat sporadic, but he always finds his way back to music. A gifted singer-songwriter, Nile has developed a versatile style that can be just as moving in a stadium as it is in a coffee shop.

Bahamas is the indie-folk project of Canadian singer-songwriter Afie Jurvanen. His 2009 debut Pink Strat was nominated for a Juno Award and the Polaris Music Prize, and was well-reviewed for its honest, no-frills, airy love songs.

Both in their early 20s, First Aid Kit's Johanna and Klara Söderberg are already winning over listeners worldwide with their intricate, woodsy harmonizing. The Swedish duo's second album, The Lion's Roar, has already charted in Australia, Denmark, the U.K., Norway and Sweden.

The Philadelphia pop-rock band Dr. Dog has continued to get better since forming in the early 2000s. The group's seven albums of layered psychedelia are deeply influenced by the best of '60s pop, adding up to a sound that's both timeless and classic.

Kevn Kinney of Drivin N Cryin and Anton Fier of The Golden Palominos combine the twangy side of their respective rock bands for an album aptly titled A Good Country Mile. Through the '80s rock scene, Kinney and Fier became friends and collaborators, and the trend continues more than 20 years later.

The Soul Rebels could not be more aptly named. Formed in the '90s, the band originated within the New Orleans brass-band scene. Lumar LeBlanc and Derrick Moss gathered jazz musicians from around New Orleans to create a sound based in soul and specific performance styles, but with the capacity to evolve. The result rebels against the rules of soul while paying homage to the genre.

Laura Gibson's new album, La Grande, is built around a surprising musical contrast: Her hushed voice remains as quiet as ever, but her songs are louder and more complex. Although simplicity and lack of volume characterize Gibson's earlier work, her music today feels bigger without sacrificing intimacy: It meditates on mortality, carrying a weight of seriousness without being heavy. It's dark, but dispensed with a light touch.