There's hardly an adult anywhere in the world who wouldn't recognize at least some of the music of Motown.
The R&B label changed the course of music in the United States and made household names of Diana Ross, Stevie Wonder and The Jackson 5. Now, the man who created Motown — Berry Gordy — is headed to Broadway to tell his version of how it all began.
This weekend, a new adaptation of the Rodgers and Hammerstein television classic Cinderella opens on Broadway. It stars Laura Osnes, the ingenue of the moment. But Osnes' career path has had an unusual trajectory.
Six years ago, the then-21-year-old was newly wed and fresh out of Minnesota. She landed on Broadway in the lead role of Sandy in a revival of Grease. It's not surprising that that show, about teenagers, would cast unknowns in the leads, but how she and her co-star, Max Crumm, got there was unconventional, to say the least.
Originally published on Thu February 28, 2013 2:33 pm
By Coburn Dukehart
Credit Courtesy of Allison Shelley
It took a long journey, several 10-hour jeep rides, and many bumpy unpaved roads for photographer Allison Shelley and writer Allyn Gaestel to reach the rural villages in Nepal where women practice chaupadi.
Chaupadi is a traditional Hindu practice that banishes menstruating women — considered unclean — from the rest of the house. According to Shelley and Gaestel, they are not allowed to touch kitchen utensils, share the same water source, go to school, or sleep inside the home during their periods.
Has there ever been an age that was so grudging about suspending its disbelief? The groundlings at the Globe Theatre didn't giggle when Shakespeare had a clock chime in Julius Caesar. The Victorians didn't take Dickens to task for having the characters in ATale of Two Cities ride the Dover mail coach 10 years before it was established. But Shakespeare and Dickens weren't writing in the age of the Internet, when every historical detail is scrutinized for chronological correctness, and when no "Gotcha!" remains unposted for long.
In Life of Pi, one of the nine Oscar nominees for Best Picture this year, a boy suffers a shipwreck and is lost at sea. It's a fictional story, of course, based on a novel, but director Ang Lee nevertheless wanted the movie to have depth and realism. But how do you add a realistic edge to someone drifting alone in the sea? For most people, even those in the imaginative business of movie-making, it's hard to picture the perils and isolation of months without rescue.
Credit Diane Cook and Len Jenshel / National Geographic
Feeble human eyes require a certain level of light to see color. Cameras, though, have the magical ability to expose the world at night. Husband-and-wife photographers Diane Cook and Len Jenshel have been playing with long-exposure photography for years — more specifically, in moonlit gardens.