Academy Award-winning actress Celeste Holm has died. A star on both stage and screen, Holm was best known for roles in Gentleman's Agreement, All About Eve and Oklahoma! She was 95.
Holm died early Sunday morning in her Manhattan apartment with her husband, family and close friends by her side. She had been hospitalized a couple weeks ago following a fire in actor Robert De Niro's apartment in the same building.
If there was one role that put Holm on the map, it was as the coquettish Ado Annie, in the 1943 hit musical, Oklahoma!
Ice Age: Continental Drift, which comes out July 13, is the fourth film in the animated franchise. Since Toy Story marked the beginning of the era of entirely computer-animated films, they've been a studio's safest bet for big earnings at the box office and beyond.
Credit Michael Nagle / Getty Images
Computer-animated films like Toy Story 3 are not only box-office draws, they also bring in money through toy sales and theme park rides.
Imagine you're a movie producer, and you've got a couple of hundred million dollars to gamble on a single massive blockbuster. Which genre do you suppose will be your safest bet — superhero? Action-adventure? Sci-fi? All of those have had huge successes, but they've also all had hugely expensive failures.
There's one genre, though, that's hardly a gamble at all. It's been almost foolproof since it first came into being in 1995: computer animation.
By hosts John DeSando and Johnny DiLoretto and guest host, Carolyn Bruck
Award-winning Cinema Classics discusses great movies then and now. From films, genres, directors, and actors to everything else in between, the hosts don't always agree, but they are always fun and informative.
Cinema Classics is regularly broadcast at 8:01 pm Thursday on WCBE 90.5 FM and streaming at WCBE.org.
Meg Ryan is surprisingly mature, while still retaining her shaggy perkiness.
By John DeSando, WCBE's It's Movie Time
Kate and Leopold is a sometimes romantic and amusing spin on a very tired H.G. Wells and Hollywood theme about time traveling. Fortunately it has some insightful things to say along the way about the loss of Victorian gentility and the dishonesty of modern marketing. Its references to "Breakfast at Tiffany's" are a reminder that all modern romantic comedies owe much to that model.