Originally published on Thu August 2, 2012 5:03 pm
Set in a high-tech yet shabby future, the remake of Total Recall is a fully realized piece of production design. But its script, credited to six authors, is more like a preliminary sketch.
Directed by Underworld franchise veteran Len Wiseman, the movie retains some elements of Paul Verhoeven's friskier (and more graphically violent) 1990 original. Yet it also makes lots of changes, notably by downplaying the brain-bending aspects of the scenario in favor of thought-free action. (Also, it never leaves a devastated Earth for Mars.)
Originally published on Fri August 27, 2004 4:06 pm
In the summer of 1970, a train carrying Jerry Garcia and the Grateful Dead, The Band, The Flying Burrito Brothers, Buddy Guy and Janis Joplin rolled from Toronto to Calgary, stopping for scheduled concerts along the way.
Billed as the Canadian Woodstock, The Festival Express was a musician's dream and a promoter's nightmare. The train was loaded with musical instruments, food, liquor -- and a film crew.
Actress Lupe Ontiveros died Thursday of cancer at the age of 69. She was most famous for her role in the 1997 film Selena, but Ontiveros also acted with Jack Nicholson in As Good As It Gets, played a strict mother in the independent film Real Women Have Curves and had a recurring role in the television series Desperate Housewives.
Cinema Classics Kickoff Party Friday, August 03, 2012 (6:00 PM - 10:00 PM) Gateway Film Center
Celebrate the launch of Cinema Classics with WCBE's own Johnny DiLoretto and John DeSando at 6 PM on Friday, August 3 before the premiere of DR. STRANGELOVE at 7 PM. Talk with John and Johnny about your favorite classic films while enjoying light hors d'oeuvres and a cash bar. Bar tended by celebrity bartender & WCBE staff member, Jim Coe.
The savings are never passed on to the consumer, but a little product placement has become standard practice for Hollywood movies — a pizza box here or a conspicuously angled soda can there, and few take notice. But product integration is another matter: If a movie has been explicitly designed to accommodate a sponsor, it's worse than just a commercial movie. It's a movie commercial.
Amid the slapstick comedies, sequels and superhero movies that have come to define summer moviegoing, two films opening today center on disturbed and disturbing romantic ties. Ruby Sparks and Killer Joe aren't fantasy or horror pictures, but they're within screaming distance — close enough to remind you how much deeper artists go when they barrel past realism into weirder areas of the psyche.