The creators of pop music are usually able to break down the fundamentals of their craft — that search for the clever rhyme, the killer beat, the singable chorus. They are less articulate, understandably, about the other quest, the one that powers those everyday searches: the pursuit of ecstasy in sound. There's something almost paranormal about that part of the creative process, yet we know those moments, instantly, when we hear them.
Originally published on Tue April 15, 2014 3:27 pm
A lover's obsessiveness may charm at first, but it can soon turn frightening. For an artist, the relentless pursuit of one object — a sound, a memory dragged up and reshaped, a fantasy that makes the long hours of work feel intimate — feeds creativity or freezes it. Greg Dulli has been chasing the same seductive nightmare since he was 22, when his band The Afghan Whigs formed. Next year, he'll turn 50. He's spent a long time, in his mind, sitting in a darkened car in front of the same house.
With a twang and a yodel, Saintseneca's new album, Dark Arc, begins on a foreboding note. "You're drenched in blood, still warm with with wear," frontman Zac Little sings before leading the band into a driving rock chorus.
Banjo, baglama, bulbul, balalaika, bowed banjo, baritone ukulele, banjo, bass, bouzouki... Saintseneca might pick up any of these instruments at any given moment, and those are just the ones that start with the letter B. The band has its origins and heart in a small Appalachian town in Ohio, as well as a passion for sounds and textures with acoustic instruments at their core. Saintseneca's members eventually settled in Columbus, and they like their acoustic music a bit punkish, with stomping feet as a heartbeat to accompany mind-altering words and music.
Every language has words and phrases that elude easy translation. In Portuguese, "saudade" (pronounced by Brazilians as "sow-DAH-djee") is one of those. Some musicians equate it with the blues; it's generally associated with melancholy and longing. In its most recent bio, the Washington, D.C., electronic duo Thievery Corporation defines it as "a longing for something or someone that is lost."
The same week that Neil Young introduced his Pono music player designed to spark a huge boost in audio fidelity, I listened for the first time to a recording of a Grateful Dead concert I attended almost 40 years ago. And I realized that passions about good-sounding music go through cycles. Today, the lo-fi medium is MP3s through earbuds.
Listen to All Songs Considered at SXSW - Wednesday
For most of Wednesday, our team in Austin, Texas, had their eyes on the stage at Stubb's BBQ, where we presented our SXSW showcase featuring sets by Damon Albarn, St. Vincent, Kelis, Eagulls and Perfect Pussy. But near the end of the night, we started hearing news of a terrible accident involving dozens of people outside another venue.
Originally published on Wed March 19, 2014 10:56 am
"Under the Pressure," the nine-minute song that kicks off Lost in the Dream, opens with a few seconds of hair-raising electronic ticking and closes with two and a half minutes of full-band, synchronized, undulating feedback. In between, The War on Drugs shows many of the cards in its stacked deck: chugging drums, horn stabs, guitar runs that fly off into the atmosphere, keyboards with a strong melodic gravitational field pulling weight for singer Adam Granduciel's wandering mystic tenor.
Please join us for The Ninth Annual Townes Van Zandt Tribute & Benefit For WCBE!
We celebrate the life and music of Townes Van Zandt on the day of his birth, March 7th.
So many talented local songwriters and musicians will grace the stage at Dick's Den to pay tribute. The money will be recycled back into our community by benefiting your favorite Public Radio station, 90.5 - WCBE
Finally this hour, a new perspective on the enduring influence of The Beatles. It comes from another four-piece British rock band called Temples. The group is from the town of Kettering. Critics have been raving about them since last summer. Their debut album, "Sun Structures," has now been released here in the U.S. And hearing it might whisk you away to 1960s Liverpool. Here's our critic, Tom Moon.
TOM MOON, BYLINE: If nothing else, Temples has impeccable timing.
Originally published on Fri January 10, 2014 2:43 pm
It's a testament to singer-songwriter Damien Jurado's versatility that he's made nearly a dozen albums of largely inward-looking folk and rock music, and yet has never made two records that sound the same.
Originally published on Wed January 15, 2014 10:33 am
For veteran soul singer Sharon Jones, 2013 was a year of frustration, fear and false starts: She'd just announced the summer release of her fifth album, Give the People What They Want, when she was diagnosed with cancer and had to put her career on hold. Tours were canceled, while the finished record had to be shelved until she'd recovered to where she was in a position to promote it. Anyone who's seen Jones live knows how much she pours into performing, so fans appeared to be in for a long wait.